Artists have thought of many ways to represent the movement of the body. High speed photography gave us our first chance to freeze frame movements, and led to more and more realistic depictions of frozen movements. But how can you capture the sense - how it feels to be moving?
Umberto Boccioni
Unique Forms of Continuity in Space
(1913, cast 1972)
Tate
William Turnbull
Marching Figures
(1953)
Tate
Dame Elisabeth Frink
Horse and Rider
(1970)
Tate
Paul Neagu
Jump
(1977)
Tate
Ralph Brown
Swimming
(1959–60)
Tate
Oliffe Richmond
Dance
(1966)
Tate
George Jones
[title not known]
Tate
Errol Sawyer
Untitled
(1997)
Tate
Zsuzsi Roboz
Dancing Figure
(1976)
Tate
Louise Nevelson
Dancing Figure
(c.1953–5)
Tate
William Blake
Oberon, Titania and Puck with Fairies Dancing
(c.1786)
Tate
Donald Locke
Untitled
(1993)
Presented by the Tate Americas Foundation, courtesy of Timothy Griffith 2024
Christopher Richard Wynne Nevinson
Dance Hall Scene
(c.1913–14)
Tate
Edgar Degas
Horse Clearing an Obstacle
(c.1887–8)
Tate
How far can you simplify a form and still see the moving figure?
David Bomberg
The Mud Bath
(1914)
Tate
Stephen Buckley
Java
(1980)
Tate
Keith Vaughan
Bather: August 4th 1961
(1961)
Tate