You might like Left Right Study of the Head of Tristram for ‘The Madness of Sir Tristram’ Sir Edward Coley Burne-Jones, Bt c.1862 Composition Study for ‘The Merciful Knight’. Verso: Composition Study for ‘St Valentine’s Day’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of the Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Study of Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Nude Study of Knight for ‘The Merciful Knight’ Sir Edward Coley Burne-Jones, Bt c.1863 Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire Sir Edward Coley Burne-Jones, Bt c.1863 Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire Sir Edward Coley Burne-Jones, Bt c.1863 Study of a Male Figure for ‘Clerk Saunders’ Sir Edward Coley Burne-Jones, Bt c.1861 Study of a Seated Woman for ‘The Hours’ Sir Edward Coley Burne-Jones, Bt c.1866 Sketch of Two Seated Figures: ‘Chant d’Amour’ Sir Edward Coley Burne-Jones, Bt c.1862–5 Study for ‘Buondelmonte’s Wedding’ Sir Edward Coley Burne-Jones, Bt c.1859
